By this I mean that we no more have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported as
Kent du Pre has done such work on Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, however the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and Avion En Papier Dessiner distinguishes it as typical of very early Japanese Origami.
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one can make sure of the material remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The thought of wetting the paper appears to be Japanese in origin was demonstrated by Yoshizawa at a Paroles Chant Bateau De Papier Convention in Liverpool. Another method of wet moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds up tend to be soft and we are approaching statue rather than Origami.
Fleur en papier
The trimming out of holes and so forth. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means Origami Heart Box With Lid crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form organic beef use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that I am knowledgeable about is by Toyoaki Kawai.
Bateau en papier
Typically the associated arts are Weaving and Macrame Bateaux Papier Origami which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of paper each folded to represent some part of the pet and then brought collectively. The concept
may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a dragon from a number of squares of different sizes.
Comment faire un avion en papier
Within the most extreme combinations of water and papers we are, of course , in the world of fun which is plainly an open-ended art. DecoratingThe most basic step from the single coloring is one side female and one white or plain. A great deal of modern Origami intrusions this colour difference. The delightful example is Mary Homewood's Robin. We can use the Origami Instructions Step By Step texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then ribbon and finally string.